Porte-couteaux sensibles editions gives freedom to a selection of artists to explore the knife rest, this small object of the forgotten table and offer it a new recognition as a real art piece.

Sarah Woodhouse’s knife rests

12 unique pieces of art in resin by Sarah Woodhouse designed for the first edition of the artists’ Porte-Couteaux Sensibles.

Fond of this forgotten element of the table that is the knife rest, I wanted to give free rein to the imagination and know-how of these artists, so that they take over this slightly obsolete object and offer it a new recognition.

Sarah graduated from ESAD Valence in 2018 with a master’s degree in graphic design, her degree focused on the signs and superstitions we associate with everyday inert objects. She revolves around the notion of fetishes, grigris, and observes the power we grant them over our existences. It is while settling thereafter in Marseilles that she discovered by chance the resin and started to play with it to freeze portraits of our personal interiors.

Sarah Woodhouse’s knife rests

12 unique pieces of art in resin by Sarah Woodhouse designed for the first edition of the artists’ Porte-Couteaux Sensibles.

Fond of this forgotten element of the table that is the knife rest, I wanted to give free rein to the imagination and know-how of these artists, so that they take over this slightly obsolete object and offer it a new recognition.

Sarah graduated from ESAD Valence in 2018 with a master’s degree in graphic design, her degree focused on the signs and superstitions we associate with everyday inert objects. She revolves around the notion of fetishes, grigris, and observes the power we grant them over our existences. It is while settling thereafter in Marseilles that she discovered by chance the resin and started to play with it to freeze portraits of our personal interiors.

Sarah Woodhouse’s knife rests

120,00360,00

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