MUCH MORE THAN A BRAND OR A STUDIO
Œuvres Sensibles is not simply a brand, nor just a studio for embroidery or tableware. It is first and foremost a true creative space — a sensitive house offering the design of both objects and spaces, for individuals and professionals alike, with a deep passion for textiles.
CREATIONS THAT REFLECT SARAH ESPEUTE
We create sensitive pieces that mirror Sarah’s sensibility and unique world. Each piece carries her identity, with a distinct aesthetic signature. Our studio and workshop allow us to design and produce tailor-made projects that respect our clients’ desires, while staying true to the singular sensitivity that defines Œuvres Sensibles.
BETWEEN ART AND DESIGN
Sarah does not define herself solely as an artist or designer — but as both. Œuvres Sensibles seeks to go beyond functionality, to carry emotion, tell stories, and bring poetry to the everyday. Each creation must have a true purpose, combining utility with sensitivity.
ARTISTIC EXPERIMENTATION AT THE HEART OF THE STUDIO
Sarah expresses her vision through artistic events, exhibitions, and installations — offering the studio a space to experiment with new ideas. These creations enrich the universe of the brand and anchor its artistic approach.
The strongest ideas are later developed into permanent collections, adapted for production standards. Some pieces are made to order, others produced in small series. In the future, Sarah aims to scale certain creations with artisans and manufacturers who share a commitment to craftsmanship, mostly based in France.
COLLABORATIONS THAT VALUE CRAFTMANSHIP
Œuvres Sensibles values collaborations that highlight artisanal know-how or creators whose sensibility resonates with Sarah’s. These partnerships give birth to limited series, rich in meaning and quality.
A DURABLE AND SENTIMENTAL APPROACH TO CREATION
Attachment to the object is essential in Sarah’s process. She stands against cold, impersonal industrial design and the culture of overconsumption. Her ambition is to restore value to objects through sincere, artisanal work — encouraging a new way of looking at design.
REVALUING TEXTILE
Sarah places textiles back at the center of creation, elevating a material too often devalued by intensive, outsourced industrial production. This industrialization has led to a decline in the quality and prestige of textiles, which are often perceived as less noble.
Beyond design and everyday objects, Sarah seeks to have textiles recognized within the artistic world — where they still too often remain confined to domestic status. As a textile artist, she works to elevate this material to the same level wood, metal, or stone.